How has your style evolved over the years?

Over the past years my photography has grown from eager editorial newbie to grateful fine art photographer. In the past 8 years my focus has been on developing macro photography and editing skills, fine tuning my point of view.

Was there a turning point when you decided to pursue art seriously?

There was a definite turning point. After being an editorial photographer for 13 years, I found myself with an unencumbered schedule and quickly became passionate about macro photography. With encouragement from gallery director Ashley Justiniano and others, I entered exhibits. When I was accepted into FAFO’s Emerging Artist program, 2021 became an impactful year for my art. Showing at Brick City Center for the Arts in my first exhibit, Blooms, and then having a full exhibit at FAFO the same year gave me the nudge needed to move forward. Emerging as an artist at 62, it was worth it!

describe your creative process from idea to finished piece.

Initially it involves getting as close as I can to a subject and evoking the most detail possible, followed by simple edits. Exploration is important to my process, whether through travel or finding a new model. A new botanical garden, field of flowers, specific flower or improving a past opportunity is what’s top of mind. Oftentimes my “backyard studio” setup works for uncovering a new subject. It’s a great excuse for me and my husband to get out. From there I cull the best captures and determine which pieces move forward to editing. If the piece has all the elements I’m after – deep interior detail, a point of view and a soft blurred background or bokeh – simple edits like shadow and highlights are used. Other times, I let the piece marinate, use masking and further my editing in Photoshop building compositions with backgrounds of bricks or mold, or some other elements I’ve shot over the past 20 years. Recently I’ve been revisiting older pieces that were well defined and adding some artistry. Next to my printer and 99% of the time the piece is ready to be matted and framed for a festival or exhibit. There’s that one percent that really don’t speak once they’re on paper.

How does nature shape your art?

Nature is my muse and community is my springboard. Being a photographer in Florida makes for a very extended out-of-doors creative period. There are so many natural places to visit; preservation areas, parks, flower farms… so much. I try to plan an extended outing once or more a month. The only current events that occupy my work pertain to what’s in bloom that season! My work is more an escape, driven by the pursuit of enjoyment.

What’s the biggest risk you’ve taken in your art so far?

Putting yourself out there is a bit risky, but really more of a challenge. Applying to artist calls and fine art festivals or for exhibition makes my creative journey fulfilling in so many ways, propelling my passion. The risk is in being accepted through that process. There is often be a financial risk when applying and attending art festivals. Sales are never guaranteed, but once I’ve succeeded it motivates me to broaden my reach.

Have you ever collaborated with another artist?

Yes, my friend and prolific painter Ronda Richley joined me in exhibiting at Angie Lewis State Farm last year. Ronda has been an artist her whole life, and a portion of that included being a gallery owner. The proximity to her, knowledge and acceptance I received from her was/is very valuable to me. Sidebar: I have a group of very talented friends called the Creative Ladies and we’re always hashing over opportunities, ideas and more.

How do you see the local art scene changing?

The art community in Ocala is one word: amazing. The celebratory nature encompasses all! The increasing number of vibrant participants of all ages is mesmerizing as well. With organizations, events and galleries like 8th Avenue Gallery, Jordan Shapot Gallery, Chelsea Art Center, Marion Maker’s Market, Art in City Spaces, MCA and now the Appleton Museum of Art exhibiting local talent, the art scene is effervescing. It’s such an honor to be part of the art scene here.

If you could have any  famous artist over for  dinner, who would it be?

I’m a huge fan of impressionism and Vincent Van Gogh, but a conversation with Georgia O’Keefe would be enriching. Primarily a painter, O’Keefe’s photography is simple, elegant and evocative. I’d like to share in her wisdom of all of it.

If no one could ever see your work, would  you still make it?

Definitely, to me it’s not “work”, it’s an ever evolving passion and pleasure. That said, I have a closet full of pieces that are ready for a new home.